'Dr. Cuevas, that kind, sweet, wonderful old man with the thick beard and ample paunch, who had helped her into this world and attended her through all the usual childhood illnesses and all her asthma attacks, had been transformed into a dark, fat vampire just like the ones in her Uncle Marcos's books. He was bent over the table where Nana prepared her meals. Next to him was a young man she had never seen before, pale as the moon, his shirt stained with blood and his eyes drunk with love. She saw her sister's snow-white legs and naked feet. Clara began to shake. At that moment Dr. Cuevas moved aside and she was able to see the dreadful spectacle of Rosa lying on her back on the marble slab, a deep gash forming a canal down the front of her body, with her intestines beside her on the salad platter. Rosa's head was twisted toward the window through which Clara was squinting, and her long green hair hung like a fern from the table onto the tiled floor, which was stained with blood. Her eyes were closed, but the little girl, because of the shadows, her own distance, and her imagination, thought she saw a supplicating and humiliated expression on her sister's face.
Stock-still on her wooden box, Clara could not keep from watching until the very end. She peered through the crack for a long time, until the two men had finished emptying Rosa out, injecting her veins with liquid, and bathing her inside and out with aromatic vinegar and essence of lavender. She stood there until they had filled her with mortician's paste and sewn her up with a curved upholsterer's needle. She stayed until Dr. Cuevas rinsed his hands in the sink and dried his tears, while the other one cleaned up the blood and the viscera. She stayed until the doctor left, putting on his black jacket with a gesture of infinite sadness. She stayed until the young man she had never seen before kissed Rosa on the lips, the neck, the breasts, and between her legs; until he wiped her with a sponge, dressed her in her embroidered nightgown, and, panting, rearranged her hair. She stayed until Nana and Dr. Cuevas came and dressed Rosa in her white gown and put on her hair the crown of orange blossoms that they'd kept wrapped in tissue paper for her wedding day. She stayed until the assistant took her in his arms with the same tenderness with which he would have picked her up and carried her across the threshold of his house if she had been his bride. She could not move until the first lights of dawn appeared. Only then did she slide back into her bed, feeling within her the silence of the entire world. Silence filled her utterly. She did not speak again until nine years later, when she opened her mouth to announce that she was planning to be married.'
The House of Spirits
(Page 53-54)
Have you ever read something that is so distant to your own existence but somehow feels the most familiar of all?
It's a rare feeling.
One i've only experienced with the unparalleled tales of Angela Carter, Louis de Bernières and Norman MacLean.
I'm sure there are others but these are the ones that made me feel nostalgic for places i've never been.
People i've never met.
And emotions i will more than likely never feel.
Except from within the pages of their books.
Pages that now feel like a second skin.
And i can now add Isabel Allende to the list, as the world and its inhabitants she created, revived even, in The House of Spirits is something i hope to never forget and revisit time and time again.
I'm such a sucker for Magic Realism.
Especially when set in the rich and often phantasmagoric landscape of Southern America.
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